THE OVAL LANGUAGE

Die Glocke as a place and sound space. Visits under special physical conditions(sometimes in frost) during the winter months – the visits took place in the early hours of the morning from around midnight.

Working with the bell as a purely acoustic space in maximum silence in the city. The result is an art book with 2 mini CDs – 1. authentic sounds and 2. edited sounds

Three Locations of the artwork

1. Symbol of political appropriation and use(location of the book:
German National Library, Leipzig);
2. As an art-historical symbol (location: Bell Museum in Beijing – planned);
3. Symbol of human forgetfulness (location: Nagasaki Peace Memorial Museum).

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1987 E - Werk Cottbus 1989 Kiesgrube 1991 Hibernation 1992 warmupwarmon 1993 Clear 1993 Endlager 1994 Vom Haben zum Sein 1995 Rückkopplungsskulptur 1995 Eingriff in die ... 1998 raumflaneure 1999 vitaler ballast 1999 Taubenraum 2000 Akku.punktur - Keil 2000 Tropfschlag Intercession with ... 2001 Spender 2003 Die Glocke 2009 Ästhetik des ... 2014 Die Letzte Kontingenz 2015 Tarkowski Schlucht		1 2 3 4 2003 “Die Glocke” – Central Stadium Leipzig \| Edition: 11 art book with photo etchings Experiencing Die Glocke, exploring and documenting the area (art book \| photo documentation \| sound compositions and production). Die Glocke as a place and sound space. Visits under special physical conditions(sometimes in frost) during the winter months – the visits took place in the early hours of the morning from around midnight. Working with the bell as a purely acoustic space in maximum silence in the city. The result is an art book with 2 mini CDs – 1. authentic sounds and 2. edited sounds Three Locations of the artwork 1. Symbol of political appropriation and use(location of the book: German National Library, Leipzig); 2. As an art-historical symbol (location: Bell Museum in Beijing – planned); 3. Symbol of human forgetfulness (location: Nagasaki Peace Memorial Museum).